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Showing posts with label Behind the scenes. Show all posts
Showing posts with label Behind the scenes. Show all posts

Sunday, April 12, 2026

A Very Jang Update: Where I'm at, what I'm doing

It's been quite a long time since I gave a comprehensive overview of my overall status with work, projects, backlogs, & plans, so I'll start with a hyper-compressed "Previously on..." style summary of the most important moments & milestones to at least get you caught up to recent times. There's a lot to cover...

My Timeline

  • 1970s: Born

  • 1980s: Raised

  • 1993: Joined the online world in earnest (local bulletin board systems)

  • 1995: First webpage

  • 1999: First full-time permanent design job. Picked up 2 hobbies on the side, LEGO & radio controlled vehicles. Quickly decided I needed to reduce that to just 1 hobby, and chose RC cars. Oops?

  • 2006: Started my first YouTube channel

  • 2009, February: Did a presentation evangelizing standards-based design to the ~100-member creative team at PayPal. The deck was entitled "It's like Legos" (yes, I know) and included a Bionicle prop as a negative example about abandoning standards. Heh.

  • 2009, March: Started publishing photos of custom Bionicle MOCs. Hrmph.

  • 2009, September: Completed standardization & componentization of nearly all user-facing PayPal app screens/pages, 2 months ahead of schedule. Huge cross-functional effort, way bigger deal than it sounds like. Up to then, every single page was individually coded for years without so much as a consistent "Ok" button.

  • Also 2009, September: Exited the design world & became full-time RC car "content creator" (a term we didn't yet use back then) via my own community forums, reviews & custom projects on the 'Web, and YouTube.

  • 2010: Started a LEGO-specific YouTube channel on the side

  • 2013: Lost most capability to continue my practical RC work (factors beyond my control), switched fully to LEGO while simultaneously diversifying from the Bionicle & Hero Factory stuff into traditional bricks.

  • 2013-2017: Success.

  • 2018-2019: Algorithm & rule changes wreaked havoc on a lot of us YouTubers, repeatedly. I worked doubly hard to save a rapidly sinking ship. Created a 2nd filming space, launched 3 new channels, eventually got everything back on track. And then...

  • 2020: YouTube settled a federal lawsuit for its flagrant violation of a 20-year-old law protecting the privacy of children online. YouTube got a financial slap on the wrist & passed all real punishment & future liability onto creators, with those making "mixed audience" content (like me) hit hardest. My income was quartered overnight. It would take years to discover the true depth & severity of the damage. Everything on my 10-year-old, 1.2 million subscriber main channel with over 1 Billion video views (with a 'B') across 4,000+ original videos was rendered unusable, completely devalued irrecoverably, permanently. Also lost was one of the channels launched in 2018 to help recover from previous maladies, as well as my fun side Playmobil channel.

  • 2021-2026: Live streaming, Patreon, Twitch, 3rd & 4th filming spaces, 200+ Gundams & plastic models, $200,000 USD raised for charities. Due to time constraints, I had to abandon another of my 2018 channels. Realizing viewer opinions were driving the development of my LEGO city, I decided to halt that project & redo it my own way. LEGO reviews were exclusively published on a new, dedicated niche channel, and eventually all old reviews were moved over -- manually, one by one. Alternate brick brand videos got their own channel, and legacy reviews of LEGO-compatible sets were transferred there.

This is ludicrously oversimplified, but I hope it resolves the biggest viewer questions, especially those of the "Why did/didn't/do/don't you do _____" variety. The answer is, because of all of that up there.

Today

Against all odds, I'm still a "content creator" with a focus on plastic brick-based construction sets, but an old fan stopping by for the first time in years might be very confused, so let me share the current lay of the land.

  • On the old JANGBRiCKS channel I now only cover new LEGO sets reveals plus occasional special topics like comparisons between LEGO & alternatives. Old reviews & city/MOC videos live exclusively on newer, niche-specific channels.

  • I still do faceless, unsponsored LEGO reviews against a white background with faint musical accompaniment.

  • I'm reviewing more LEGO-alternative sets than ever, but still in the same format.

  • There's a small-group livestream for Patreon every Saturday that's now also open to some tiers of YouTube channel members & Twitch subscribers.

  • My Twitch channel is very active with regular 4-5 hour public livestreams in late afternoons/evenings (per New World timezones). Usually one of these per week is dedicated to non-brick work like plastic models, which I'd really like to do more of. I have also started multi-streaming to the appropriate YouTube channel for a given day's topic, though video quality is lower and chat is only open to channel members (Twitch is free to all).

  • I regularly participate in charity fundraising events, and this has been a rare unmitigated success story. These are spread throughout each year & integrated into regular livestreams.

  • The LEGO city room is being emptied completely to make room for a better live streaming space. The goal is to upgrade the viewer experience from something I'm satisfied with to something I'm finally proud of. This will include a significantly smaller, but wildly better diorama-style installation with the working custom LEGO trains & such. It will also provide a dedicated area for plastic model building so I can waste less time on cleanup & conversion between streams, and I'll no longer need to go to a different part of the house to grab paints or use an airbrush.

Remaining challenges

After 7+ years of stressful overtime to combat existential threats to my entire work life, I seem to have found my footing again, but not everything is rosy & fun. The number of struggles I've endured (I left out a lot for brevity) has me perpetually suspicious that the next sudden collapse of my world is just around the corner. More concretely, though, some specific damages have been incurred, and some long-term issues have intensified with time.

  • I work 7 days & nights/week. By that I do not mean 5 days/week plus answering some emails on weekends. I mean I have not experienced anything remotely resembling a weekend in any way in many years. I also engage in close to zero recreation beyond watching a couple shows with my wife at dinnertime before heading off to my 2nd and/or 3rd work shift.

  • I sleep as little as 4 hours/night, up to an absolute maximum of 6 when I'm lucky or when the chronic sleep deprivation reaches an acute state. The cumulative deleterious effect on my health is quite serious, or at least that's what doctors say.

  • I currently receive 2 forced "non-work" days per month due to promises made in exchange for the achievement of really high community charity fundraising goals. These are essentially critical stop-gaps that allow minimal recovery so that I can work harder, longer, and more efficiently all other days & nights. In practice, those days typically involve one extended sleep session offset by frantic work on the non-content-creation tasks I don't have any other time to address. I cannot simply "stop that & get more rest" as outsiders often glibly suggest. Every day I don't work simply puts me another day behind, and my backlog is already positively crushing. Speaking of which...

  • Reviewing hundreds of products per year requires purchasing & assembling those hundreds of products. Carefully processing this constant stream of plastic mass after the videos are published is an overwhelming task that I've not been able to prioritize highly because viewers care about what they see on their screens. Everything that happens behind the scenes is of no consequence anyone but me, so long as I keep pumping out reviews as fast as humanly possible. Shelves fill. Boxes stack up. Floors become treacherous obstacle courses. It's usually a struggle to keep up, but in recent months I've frequently reserved an extra half hour here, extra hour there, to make positive progress against this overwhelmingly chaotic buildup.

  • YouTube comments remain contentious and affect my productivity & ability to enjoy anything I do.

    • To protect my viewers from truly atrocious abuse (from other viewers), I have always manually moderated comments.

    • Unbelievably, YouTube does not provide tools to enable delegation of this task. Designated moderators cannot access a channel's moderation queue (!), they can only browse through videos like normal users and delete bad comments if they happen to find them by checking every comment & every nested comment thread, one at a time, manually, constantly.

    • "Haters" are not the problem. They are easily identified and permanently blocked, period. The main issues are regular members of the LEGO/brick fan community personally assaulting my character or that of other commenters (or entire swaths of humanity) with outrageous depth & specificity over miniscule differences of opinion about plastic toys & collectibles.

    • Turning off comments is not an option -- people hate it, YouTube punishes the reduced "engagement" with less recommendations (rapidly killing the channel), and it spawns increased off-channel vitriol.

    • All I can do is continually work to cautiously reduce my level of care for what viewers think, which feels awful and completely wrong. I can't only be receptive to positive & supportive comments and ignore & dismiss any I disagree with, as I'm pretty sure that would make me... a bad person.

  • Lastly, I can't conspicuously omit all mention of the LEGO Ambassador Network, aka LAN. A brilliant, unbelievably low-cost contracting wing of LEGO marketing, this program has dramatically transformed brick-building social media across all platforms. Most popular creators have been gobbled up by the program, each doing dozens upon dozens of hours of promotional work for the company every month in exchange for very low $10,000s, and often even just $1,000s of yearly payment in product. With surgical precision they publish nearly identical takes on official LEGO press releases and curated set designer self-"reviews," all at the exact same company-scheduled moment, weeks to months before the products are available to buy. Their own in-hand sponsored reviews saturate viewer feeds weeks to months in advance of retail availability as well, sometimes within 24 hours of the initial reveals or, in the case of the slow-moving BrickLink Designer Program, perfectly timed to drum up preorders. Meanwhile, these very sponsored reviews are almost never properly marked as such, thereby clearly & flagrantly violating platform terms of service, a bannable offense and deception of viewers evidently nobody is reporting and LAN management is happy to overlook (I told them about it privately and they did nothing). This has left simply existing as one of increasingly few independent, non-sponsored reviewers especially challenging; by the time we can get our hands on a product, most of the views have been soaked up and most viewers no longer care. Many of us have been driven off completely. A handful remain. I'm still fighting the good fight.

In Conclusion, for Now

It's been a whirlwind over here for years, but I'm finally, truly in a better place. One day I woke up to abject hopelessness & despair, 10 years of hard work nearly entirely invalidated, and now I see light at the end of some proverbial tunnels while I've actually emerged from others. Through all of this, many of you have kept coming back, and I humbly thank you. I appreciate not only the material support through Patreon, channel memberships/subscriptions, and use of my affiliate links (huge, huge help by the way), but all of the small, genuine positive interactions like a little, "Hey thanks for this video" here or "Just gonna lurk in the stream" there. Against a backdrop of big bads & extended stresses, the little nice moments stand out more than ever & provide palpable boosts to morale.

In the next handful of months I don't plan to make any big changes to my video formats or release cadence, but the livestream transformation, relaunch of the LEGO city project, and continued cleanup of years of behind the scenes mess will add some check marks to the "win" column and maybe even erase some smaller losses.

Onward and... at least horizontal. Maybe even a few more ticks upward if my luck doesn't run out.

Tuesday, December 10, 2024

Old LEGO review videos are moving to the LEGO Reviews channel

 I have done everything possible to recover the functionality of my 14+ year old JANGBRiCKS channel and the viability of literally thousands of videos since YouTube's final major destructive change, I have sought advice from other creators, and I even had a secret supporter working at Google who looked into my YT account to try to find a way out of this impossible predicament. I'm now past all of that and moving forward:

  • All of my old LEGO reviews will be moved to my JANG's LEGO Reviews channel where I've already been publishing new reviews since 2021
    • The original uploads and their views & comments will become 100% permanently inaccessible to the public
    • There is no other option
    • Re-uploads will start at 0 views
    • To avoid overwhelming the 130,000+ subscribers on the newer channel, notifications will not be generated, and re-uploads will not appear in subscription feeds
  • This is a 100% manual process that may take up to 1 year to complete
  • Only LEGO brand review videos will be affected by this specific action at this time
    • Other types of videos may be moved in separate actions
  • The JANGBRiCKS channel will continue to host new LEGO news videos and some other types of relevant content
  • This decision is final

Tuesday, February 4, 2020

Why 4,000+ videos have comments & most ads disabled, but new ones don't


I've covered the fallout of the FTC vs. Google settlement for YouTube's flagrant violation of COPPA in three dedicated blog posts, five videos, and probably over a hundred smaller postings. Anyone concerned about the issue with regards to me and my channel should have no questions about where I stand on it all and why.  Yet, questions & confusions remain, so here we are again.  In my last video on the subject I very clearly explained that the real-world effects on me after YouTube's compliance update necessitated a significant and immediate change to my video style & approach, otherwise JANGBRiCKS as you all know it was all but done for. During 2 & 1/2 weeks of downtime that followed, I figured out a new plan, completely disassembled & eliminated my review studio setup, and built something entirely new.

Sunday, January 26, 2020

Eleven years & 3,000 posts ago...


Above is the exact photo, pulled from its original upload location, that opened the very first post on my earliest LEGO-related blog, Zeyek's BIONICLE: Untold.  The in-character narratives of Zeyekti-Iiloptinous Mazzourel and a simultaneously-launched "Behind the Scenes" blog of custom creations would later give rise to my "Unofficial Hero Factory MOCs Blog," all three of which I would subsequently combine under the "LEGOJANG" banner, finally renamed in 2014 to "JANGBRiCKS." 

Good times, all, and still going like the Energizer Bunny! 

[Edit: Wait, is the Energizer Bunny still a thing?]
[Edit2: Yes, yes it is, whew.]

Saturday, January 25, 2020

A re-launch progress update


It's been two weeks since I was forced to yank the e-brake and put a full stop on the JANGBRiCKS channel on YouTube (and almost everything else, for that matter).  By the time I posted my video explaining how YouTube had killed nearly all value in nearly all of my work of the past 10 years, I had formed a mental image of what my primary content, LEGO reviews, could look like in the post-COPPAcalypse era.  Based on viewer feedback, I discarded that initial concept and eventually figured out something that would be less of a dramatic departure from the style many people had come to really enjoy.

Wednesday, January 15, 2020

Realizing what Patreon support could really mean


This evening while pursuing my usual modus operandus (research, brainstorm, plan, repeat) regarding Patreon & properly rewarding/supporting patrons, I had a mind-clearing epiphany.  A lot of my kindest and strongest supporters have insisted that if I accept their direct monetary support, the biggest & most important reward they'll receive in return is that I'll be able continue on doing what I've been doing up to now, making the best content I can.  I now realize this is incorrect.  I'll be able to do so much more, so much better.

Monday, January 13, 2020

Patreon preview & request for feedback


For years I've gotten a consistent stream of requests for a Patreon page, PayPal "tip jar," or other means of directly, tangibly supporting my work, and I've always pushed the idea away.  All that time, family & friends have tried to reason with me and explain why I should work past this holdup.  A lot of what they've argued makes perfect sense, but at the end of the day, there's always been a single point I've returned to: I didn't need the extra support, thus I couldn't bring myself to accept it.  Even through numerous YouTube maladies, I've always resolved to do whatever I can to keep my involvement in this hobby and contributions to this community self-sufficient through normal, reasonable ad placements.

Days into 2020, everything changed. The latest batch of YouTube changes utterly decimated residual ad income from nearly a decade of past work.  I finally accept that I need to decouple my ability to financially support my channels from YouTube's ever-shifting willingness to allow just that.

Saturday, January 11, 2020

What a difference... a day makes...


"Twenty-four little hours..."

Deep breath.

Right.  So, the video above explains it all.  Final data from YouTube's January changes arrived and the picture is extremely bleak for me, more than twice as bad as a supposedly accurate real-world test suggested it would be.  I really should be panicking right now, but somehow I'm not.

I need to make bigger changes than I have in the over 10 years I've been doing this whole LEGO thing (almost 7 of them full-time).  I'm up to the challenge, though!  In the coming days & weeks you're going to see me asking a lot of questions of fans across multiple media & communication platforms, including some with which I've never before engaged.  I have a lot of ideas swirling around and will need your direct input to help shape the best of them into a new reality.

My primary YouTube video style in particular needs a significant adjustment to overcome the latest round of major obstacles, restoring the ability of viewers to comment on videos (at least new ones), add them to playlists, and possibly most importantly, use the "mini-player" in the YouTube app.  This may be a bit disruptive at first, but I'm not fundamentally going to change who I am or what I do, I'm just going to make what changes are necessitated by factors well beyond my control.

It's a good thing I work well under pressure!  I'm actually feeling more than a little tinge of excitement over all this.

Monday, January 6, 2020

Where did YouTube comments go, and what now?


It's a little late, but YouTube today completed the second round of implementation of their changes to comply with the COPPA lawsuit settlement (that I've talked about quite a bit in the past) as well as some questionable add-ons they've bundled along.  The settlement was announced in September 2019 and in November we learned a lot of the specifics of what would be changing.  Now comments & end screens are completely disabled from most of my videos, and you will generally not get subscription notifications when I upload new content (not that many of you got these anyhow).  Some other features will be impacted as well.  All of this is because these videos count as "mixed audience" content according to YouTube's own definitions and had to be marked as "for kids" and restricted as such. The actual COPPA rule that YouTube flagrantly broke and is now forcing us creators to follow on their behalf actually allows "mixed audience" videos to be marked as "not for kids" since, by definition, "children are not the primary audience."  However, this requires a small extra step to be implemented by YouTube, and guess what YouTube didn't do?  It's pretty messed up.

At the time of this writing, my plan remains unchanged from last year.  I'm going to continue publishing my real-time Pure Builds, time lapse speed builds, and reviews & MOCs as I've done up to now.  Those of you who are aged 13 or older are welcomed & encouraged to continue commenting on my Pure Builds videos as those are very clearly aimed at a more patient, mature crowd and I've not seen any evidence that younger kids are interested in that content.  I have also been thinking up more ways to make videos on my main JangBricks channel that can be easily and honestly marked as "not for kids" per COPPA definitions, so you'll be able to comment on those.  You can also comment here on the blog, or on these other social media accounts:
As for the loss of subscription notifications, there's not much I personally can do, though you as a viewer can still work around this.  You know I upload regularly (averaging once/day over the long term), so just check the main channel any time you want to see what's new, especially during busy release seasons like we're in right now!  I decided not to spam up all of my social media accounts with "Hey I just posted a new video, go check it out!" posts every day, though I will do some occasional updates and I'm experimenting with posting videos natively on Facebook as well.

Wednesday, December 18, 2019

What Am I Doing? Part 2!


Hi all!  I've continued to be a bit quieter on YouTube than usual in this between-releases season, but I've also continued to use this time for important behind-the-scenes work that will pay dividends in 2020.  The four major groups of tasks I mentioned previously have all been wrapped up, but a bunch of new stuff, some completely unexpected, some long overdue, has been keeping me busy.  Time for another update list!

Friday, November 8, 2019

What Am I Doing?!


I may seem a bit quiet on the content front at the moment, but don't worry, all is well.  I'm not in a motivational rut and there's no other problem behind the scenes, but at the same time there's no big-bang MOC I'm secretly working on or anything.  This is the most dramatic new product release lull of the year, with the trans-holiday rush looming over the horizon, and I always use this time to work on mundane chores that nobody else cares about.  Most of these "between" seasons have delayed starts as normal work goes overtime, and that has resulted in a significant backlog against which I'm now making as much progress as I can, while I can.  For those curious, here are some of the major groups of chores currently underway:

Tuesday, September 17, 2019

So, What's Going On?


It's been quite an eventful year for me and my YouTubing adventures, and with a final lull now in effect between release seasons, let me take a step back and let you know where my head is at and how things have been going in general.  The good news is, I still like LEGO, a lot.  I'm also a lot happier with my work today than I was a year ago, with a more positive outlook on the future of my various content publishing channels.  Let me take you through the key points of interest.

Friday, September 13, 2019

FTC vs. YouTube vs... JANGBRiCKS?


It's about time I said something about the elephant in the room.  The US Federal Trade Commission (FTC) has determined that YouTube massively violated the Children's Online Privacy Protection Act (COPPA) of 1998 by flagrantly turning a blind eye to the huge number of young kids using the service with their parents' accounts or simply by lying about their age during signup.  As a result of that finding, Google's been fined a petty (by their standards) sum of $170M, and more importantly, they're being forced to either clean up their act or face significantly greater consequences. 

As has been the case over and over again when YouTube is caught being criminally irresponsible for profit, they're going to overreact and devastatingly punish a significant number of content creators who have done absolutely nothing wrong up to this point.  This time rather than YouTube purging or restricting all of the fraudulent accounts clearly used by kids under 13, as their systems can easily detect (the root of the FTC findings), they're going to place sanctions on anything they deem to be "children's content." Mind you, there is nothing in COPPA even suggesting in passing that content for kids itself needs to be regulated, or that kids' viewing of that content warrants restriction.  It only insists that identifiable personal data such as names, birthdates, email addresses, home/locations, etc. of kids under 13 must not be stored or tracked.  In other words, there is nothing legally wrong with the existence of "children's content" on YouTube, and there is nothing legally wrong with actual children viewing said content on YouTube.  The only thing that's wrong is for children to be logged in with an account that's not COPPA compliant when they use the site or app.  YouTube's response, to butcher a metaphor, is akin to punishing the baby instead of throwing out the bathwater.  It's egregiously idiotic.

Tuesday, June 11, 2019

Peace is restored, for now


Last month I declared war against myself and set up some simple rules of engagement.  I would not publish reviews more than 3 days in a row, and I would take a minimum of 1 day off per week from uploading to my main YouTube channel altogether.  I'm happy to report today that I succeeded at those simple (but deceptively extraordinary) goals, and have achieved a state of armistice for the time being.  Let me share with you what I learned and accomplished during this unique & interesting period.

Tuesday, April 30, 2019

It's WAR! LEGO reviews vs. city updates & MOC work


The numbers are clear.  When asked directly, the majority of JANGBRiCKS YouTube channel viewers want to see reviews of current LEGO products more than anything else, by a significant margin.  However!  There some other reliable quantitative measures very strongly disagree.  The situation is just maddening enough to motivate the kickoff of a risky, radical experiment, and it all starts this week.

Wednesday, April 24, 2019

A New Personal Record!

Today I filmed, edited, and published a total of 6 hours of content to YouTube:

  • 1 hour 47 minutes of real-time HD Pure Builds
  • 40 minutes of shortened HD time-lapse versions of those builds
  • 19 minutes in a 4K quadruple-review on my Playmobil channel
  • 15 minutes in a 4K set review on the main LEGO focused channel
In all I chewed through 62 gigabytes of raw video footage and uploaded 13 gigabytes of finished product.

Not bad for a day's work?

PS: For MOC fans, the news is that I worked on a custom car for 5 hours the previous night. Didn't get it done, stuck on a perplexing build challenge.  I'll keep working on it and when it's done, it'll be worth about 30 seconds of video viewing time 🤷‍♂️

Saturday, April 13, 2019

I Did It All Wrong (but I'm fixing it)


It's time for me to get very, very candid about some thoughts that have guided my actions, how I made some very serious mistakes in planning New Jang City, and how I've permanently turned a major corner in the course of my involvement in the LEGO hobby on the whole.  Grab a snack or beverage, and let me fully break the situation down for you.

Saturday, March 2, 2019

End of an era


Over a decade ago I purchased my first pair of "softboxes," light bulb receptacles with each a flimsy tent-like pyramidal reflector structure and a translucent sheet of cloth over the big end.  It kicked off the second phase of my quest for an ideal backdrop & lighting setup for YouTube video reviews of radio controlled model cars & trucks.

Today, I disassembled that very piece of equipment, its base yellowed from hundreds of hours of being cooked by storebought household CFLs and LEDs.  I had collected and employed other softboxes over the years, but it's fitting that one of my first to enter service would be the last to be exit.  This strange geeky detail has meaning to me because so much of my work, literally thousands of videos across three main channels and several spin-offs, has been defined by that ever-whiter background and steadily diminishing shadows.

My goal was always to maximize viewers' ability to focus on just the products they came to see with absolutely minimal fluff.  I tried some different options when I ventured into brick-based construction toys, but the lure of the white void was irresistible and viewers all but unanimously applauded its return.  Since then, my methods of achieving the increasingly complete nothingness have evolved significantly, but there'll always be a special place in my memory & heart for those first two, perpetually awkward, always in the way, front- and top-heavy softboxes.  Who knows, maybe they'll get a new lease on life when I start up the inevitable "Studio C."

Thursday, February 7, 2019

Hi I'm JANG, and I'm an addict


I suffer from a debilitating compulsion and I cannot escape it.  No matter what I do, I cannot keep myself from continually attempting improve the quality of my videos and the efficiency of producing them.  With my main white void studio I used to do changes once or twice per season, but these days I've found myself with less room to "improve" (a subjective term, I know).  Each update has moved the bar less, up to & including the last minor light rebalancing just a few weeks ago.  I'd assume many viewers don't even notice the before & after differences anymore as I'm well into the realm of diminishing returns. With Studio B for my builds channel, on the other hand, everything is completely fresh and there's no well-defined end point for visual success.